I have a saying that was borne out of necessity……and that necessity was borne out of my own idiotness (that can’t be right). And it came from me always thinking that somewhere, deep down, I was actually the next Johann Sebastian Bach, except with an electric guitar and a Slick Shoes voice. (This is high school days, now; come on. Slick Shoes and their girly vocalist were very, very cool. No. No they weren’t. But they were cool to me, for some reason, and that is, in the end, all that ever matters to ourselves.
) It was just that no one had heard of me……when a Capitol Records producer finally did decide to visit my church (ya, these were real thoughts, and unfortunately sometimes still are), he would hear me and of course sign me right away.
So, because I had this view of myself, it just wouldn’t be possible in my mind for this prodigy musician who was myself, to find a note he couldn’t hit, or a riff he couldn’t play. So when Phil Wickham played a song in capo 37, and hit a soprano note, and sounded amazing doing so, if I chose to do the same song, I had to do it exactly like him. Can’t admit that Phil Wickham is better than you. No! In fact, he’s not better than me! Watch……let me hit this A. Same thing with guitar. When John Petrucci (again, high school…but he’s still admittedly a great musician) would play an insane solo, I would have to do the exact same solo……in a worship song. (That’s an entirely different problem altogether.) But here’s the thing. I can hit the A by Wickham. I can play the solo by Pettruci. No wrong notes, everything on pitch, all is well. But it sounds terrible! I end up screeching to the A vocal note in this shrill, Jack White meets whoever-did-the-voice-for-the-1930’s-Disney-Snow-White horrendous tone, and solo-ing 10 times too slow with absolutely no feel or form and chunking out every note.
Did I hit every note? Yes. Were they all on pitch, vocally and guitar-ily (I don’t even know what words I’m using now)? Yep. Everything was technically right. I can hit that note. I can play that guitar line. But should I? Just because you can, doesn’t mean you should. Wickham hits an A because he sounds great up there. I also can hit an A. But I sound a gazillion times better hitting an E. Petrucci plays those solos because he’s great at it. I can also match those notes. But I would sound soooooo much better taking out half the notes, slowing it down, and playing a solo that fits my pace to where I can put feel into it and make it sound good.

(Understand, I do have a lot of respect for John Petrucci and Dream Theatre, even if not all their music grabs me. But, you do gotta admit, there is something a little cheese about growling at your audience.)
One of my musician mentors once told me that you should always practice at 110% of your ability, but never play live at more than 60% of your ability. Stay within yourself. And you gotta be able to admit, too, that you might not be as good as Phil Wickham or John Petrucci. A little dose of humility can take you from sounding horrible by playing something out of your musical range, to sounding great by playing something within your musical range. You might not be able to go to sleep at night thinking how amazing you were because you hit the same note as Phil Wickham, but everyone who heard you will go to sleep thinking, ‘Hey, they were pretty good’, rather than, ‘What did we just listen to?’
And the thing is, at one time or another Phil Wickham had to tell himself he wasn’t Pavarotti and to stop trying to hit D’s over middle C. And John Petrucci had to tell himself he wasn’t……well, I don’t want to start a war here over who the fastest guitarist is. They’re all just face-melters anyway; it all sounds the same, and there’s no real musical skill or melody or tone involved………………kidding!! Kidding!! Wow, it’s crazy……I could literally feel the heat coming from people’s anger even as I was writing that. For the record, Pettrucci is a fantastic musician; I just tend to get a little bored with the aeolian harmonic minor played as fast as you possibly can. No, wait, that’s Malmsteen.
Oh!! I’m feeling reckless today. But seriously, to each his own. Those guys are great musicians, just not my taste all the time, although Petrucci does pull out some wonderfully melodic passages every now and again. Some people get bored with U2 and Edge’s delay. I can’t for the life of me see how, but there may be some. hehe

(Okay, Yngwie just took all the cheese out of the John Petrucci photo. Hmm…maybe out of the whole world. This makes Dream Theatre look like Jack Johnson.)
I try to remember that there are very few Stevie Ray Vaughan’s or Emmy Rossum’s in the world. However unfortunate and harsh it may seem, the simple odds of it are, you’re not one of them. And neither am I. But we just might be able, if we stay within ourselves, to one day make music that sounds just as good, if not better.
Splendid.
Karl.
1) The making Petrucci look like Jack Johnson was a classic remark. Going to be chuckling about that for awhile…
2) I think most of the guitarists I know (including me) want to be like a face melter on stage in worship— but do not practice it at home! Its a spur of the moment thing. I have been lucky to pull of a few things when (say, the interlude between services, or at the end of the service with a “GO GET EM” song) the moment strikes, but only cuz I have one perfect 10 second shred before I harmonically squeeze out a Brewster-ish wannabe note……. and thats it.
I go back to my one string, 2-3 note slides that fill it in.
I know what I can do, and its better to sound good than to “appear to be a shredder” and fail miserably… for Jesus of course.
I picture every now and then what God thinks and how he must smile at us (perhaps with that “you are crazy” jack black-ish smile?) when we try to be rock stars in His house!
good post!
oh, and Petrucci is soo nowhere near as Cheezy as Vai…
But Prof Satch-a-funk-whatever-he-is now…. will always be good. Maybe its because he can shred AND play slow blues…
hmm… concept there- being diverse?
I play a lot of solos in our services. I am not a shredder, but I am capable of playing some fast-sounding stuff. My natural inclination is to try to cram as many notes as possible into my 8-16 measure solo. I have been trying to make more of an effort to play melodically and actually shape a memorable solo rather than a constant stream of sextuplets.
I played a solo a couple of weeks ago that almost gave me goose bumps. I know it sounds totally self-absorbed for me to say that, but there wasn’t really anything flashy or showy about it. It was just good note selection, feel, and tone. Whatever it was, it just fit and I probably couldn’t recreate it if I wanted to.
I don’t consider God worshiped unless I find a place to in each set. … just kidding. Good post.
on HDNet, they have this concert series that I love to watch in between football games. one time I saw Satriani and it only took me 2 full songs to fall asleep (literally). then, i saw Eric Johnson. I didn’t fall asleep because of his melodic playing … so it took me 4 full songs before I dozed off. then i saw the 50 Years of Fender tribute. amazingly enough, i finished the whole thing and with more energy than before i watched! my point is, nothing really … everyone has their own taste. but i do agree, doesn’t mean you can that you should … in moderation anyways
Two Sundays ago a fella came up to me after the service and said, “Man, you were on fire today!” Needless to say – I loved hearing that. And it was true. The set was smokin’.
This last Sunday, the same fella came up to me and said, “You were less on fire today.” Humf. But the music was still really really good! I was just less on fire. The set was much calmer than the week before. And that blasted Viola player stole the limelight.
So the question is: How do I get rid of that Viola player?
Ok, that’s not really the question. I like the guy. And he’s very good on his Viola. Just don’t call it a violin. I did that once… I still have bruises.
I guess I’m trying to say that sometimes we get a chance to be “on fire” and sometimes were there to add support. And sometimes we might just be standing there looking good. Or not good. I believe it’s all about being available to what the Spirit is trying to do. We all know in our hearts when the appropriate time to be “on fire” is. We must be sensitive to that. It ain’t easy, for sure. I want to be Yngwie! Just, without the leather pants.
Larry–I totally agree. Sometimes we tend to play over our skill level because we want to look good, but haven’t practiced enough to be where we think we are. And ya, I do think God shakes his head at us sometimes.
And the only Satriani I’ve heard is the G3 stuff…which didn’t do anything for me. I’ll try to check out some of his blues stuff.
Philip–I’m right there with ya, although probably without the ‘capable of playing fast-sounding stuff’ part. hehe I totally agree that I would so rather hit the perfect three note repeating riff that just squeezes out every last drop of emotion out of the chord progression than play anything else. If the speedy whatever riff is going to be the best for the emotionality of the song and the music as a whole, great. But if simplicity is going to be the best, go for that. And I tend to lean towards the simplicity side.
Or just the ripping off U2 side.
Mike–lol. The sad thing is there was a time when I realy thought that.
Rhoy–hehe I’m in total agreement with you. I’m not a huge Satriani fan, and Eric Johnson bores me too. Although those, amongst some people, are way more of fightin’ words than bad things said about Yngwie. hehe But, ya, thank goodness we all have different tastes. And it is nice to find someone else who doesn’t dig Eric Johnson. Seems like I’m usually in the minority there.
GuitarToma–haha! I’ve had the same thing happen to me. Although in my church, it’s usually the one rocker guy left over from the ’80’s; and I know that if he liked what I did, I probably did too much! hehe And when he says he couldn’t hear me, it probably means I blended in perfectly. But it is a great feeling when someone says they loved what you did……and then maybe the next week there’s nowhere for you to stand out. Kinda sucks…at least in my mind. But you hit the nail on the head with the ‘being available for the Spirit.’ Sometimes His plan is not to really use us that much (in the way we would prefer to be used, at least) for that Sunday. Great comment.
My struggle is getting a favorite lick under my fingers, and sticking it whenever and wherever I can make it fit. Ouch, what a yank for worship.
Never squander an opportunity to not stick that lick or bend in there. Or, just because the lick I came up with sounds great on the turnaround, or at the end of the first line of the verse, doesn’t mean it sounds great every time!
Less is more, Less is more, Less is more.
Ooo, great comment. I absolutely agree that less is more. but I do the exact same thing…I have certain default riffs that I play waaaay too much.
Karl, I stopped reading when you said, “Practice at 110%…Play at 60%…” I wish that were the case with everyone. As a sound technician, it is so hard to set levels and tweak them to ultimate greatness when you have a band that holds back during practice. Then all of the sudden they are “rocking/worshiping” out and your levels are all over the place and you feel like you’re starting all over again.
Anyway point is, practice at 110%. Play at whatever you want! LOL…Just a thought as I read on from an ex-sound tech.
haha Thanks, Chris. I totally should have clarified that. What I meant was, ‘Practice (in your bedroom) at 110% (of your skill level). Play (on stage) at 60% (of your skill level.) Yes, for the sake of the sound tech and the mix, you should always be playing at 100% of your volume when you’re on stage. But the advice that the guy gave me was to never play in front of people at more than 60% of your skill level. As in, if it takes 100% of your skill to barely play a certain passage correctly, don’t play it in front of people until you’ve practiced enouygh to have your skill level far above the amount required skill to play it.
Thanks for that, Chris! That did need some clarification, as I don’t want people to practice ‘on stage’ at a higher volume than they’re going to play at!! I want all the volumes the same, but I’m advising to only use 60% of your skill level on stage.
I can buy that…But I must say there is always a difference between a band who is rehearsing, and a band who is worshiping. IMHO of course…I’m a wash up hack sound guy. LOL
haha You’re right about the rehearsing/worshiping thing, but not so right about the washed up hack. You’re the former awesome sound guy who is only ‘former’ because he wanted to start telling people what to do!!
Or ‘layin’ the smack down.’ Either one is good. lol You’re the man, Chris.
i think Karl & Chris are talking about different things but I do get both …
re: karl – play only 60% of the skill set that you know live like scale runs, riffs & different techniques like bends, taps, etc …
re: chris – play the actual volume regardless if its rehearsal or actual. the only gripe i have with some sound guys is that they hardly listen & know the songs that we are playing. it sometimes kills the dynamics. as soon as the distorted sound goes a little louder than clean, the fader is being pulled down. when you go back to your clean, you are hardly audible. although i’ve seen guitarist with so much disparity between the clean and distorted sound, maybe that’s why … but there are mature guitarist out there who knows when to rock out and when to pull-back a bit.
sorry for the rant
Heh.. i’m with Rhoy a tad here….
My soundguy just got to a point to trust me and leave my volume untouched (unless ABSOLUTELY NEEDED) from what we set at soundcheck. My ODs are set for a (no boost) basic overdriven sound about equal to my clean tone, a slight volume boost for when drums kick it up and full band plays, and a slighter volume boost when playing a single lead. And I always set that soft at first an increase until he says he can hear it.
It took a long time to get to that point. The previous guitarist- when he said “i’m playing with distortion” that meant the whole church was deaf.
Then me, silly me… took some time to learn that each pedal has a “level” or volume too. At times I would set the pedal clean, then turn up the gain, and wonder how it got so loud?
A good soundguy and mature guitarist will work through that stuff easy!